Dr. Colyer talks with Mike Feazell about the practical theology of Thomas F. Torrance.

Dr. Colyer discusses predestination and Trinitarian theology. Some people assume that God is the best of our own ideals, others accept him the way he has revealed himself in Christ.

In this interview, Dr. Colyer talks about the theology of Thomas Torrance, the vicarious humanity of Christ, and “the logic of grace.”

In this interview, Dr. Colyer talks about the weaknesses of the concordance method of theology, that the Bible is not an end in itself, and Trinitarian theology.

The Book of Romans can be confusing without centering on the core teachings of Romans chapters 5 through 8. Due to a camera malfunction, we do not have video of this interview.

Douglas Campbell looks at examples of how Paul brought the gospel and purpose to the mission field.

Dr. Campbell encourages us to look at the gospel of grace in a new way. He speaks about how the gospel addresses and informs our understanding of sin and ethics in a way that challenges the model of a conditional or contractual grace.

This interview gets to the heart and core of Paul's gospel. It includes our Reality with a capital "R" plus our participation with Christ and with each other in communion with God

GD: Jeremy, thanks for being with us. You have talked about the powers of various arts, and music is one of them. I was wondering if you might demonstrate for us some of those powers that might apply to life in general and perhaps worship, things like that. JB: We were talking earlier about knowing your medium, and for some people, there’s a danger that they’ll think that music, for instance, is a mere thrill. It has no theological power or substance to itself. If I hear that and I’m anywhere near a

Gary Deddo: I’ve been reading your book, Resounding Truth, and find it fascinating. It’s an important topic that you bring up there, of the relationship of Christian faith with the arts, and music in particular. I’d like us to talk about that. But before we get into that, you have an unusual background that brings together music and theology. Can you tell us how that happened? Jeremy Begbie: The theology came much later than the music. About the age of three or four, I started playing the piano and improvising. I was entranced by this